Altar-ed States: Navigating the Intersection of Catholic Dogma and Queer Identity in Contemporary Filipino Cinema
DOI:
https://doi.org/10.5281/zenodo.20545349Keywords:
Catholic Dogma , Filipino Cinema, Identity Conflict, LGBTQ+ Representation, Queer IdentityAbstract
This study examines how contemporary Filipino cinema portrays the intersection of Catholic dogma and queer identity within a society shaped by strong religious values and heteronormative expectations. It addresses the limited research on how queer characters negotiate faith, identity, and belonging in Catholic-influenced environments. Using a qualitative content analysis design, the study analyzed two Filipino films, Sakristan: The Movie (2020) and The Boy Foretold by the Stars (2020), selected through purposive sampling. Dialogues, narratives, and visual elements were examined through coding guided by Cognitive Dissonance Theory and Moral Panic Theory to identify patterns of internal conflict and societal pressure. Findings reveal that queer characters experience psychological conflict as they attempt to reconcile religious teachings with personal identity, often responding through concealment, compartmentalization, withdrawal from religious spaces, or reinterpretation of faith. Catholic schools and ministries are portrayed as sites of moral regulation that frame queerness as a threat to moral order, reinforcing shame, fear, and self-censorship. However, the films also present moments of resistance where characters redefine spirituality and interpret God’s love as inclusive rather than conditional. The study highlights Filipino cinema as a cultural space for questioning rigid religious norms and presenting alternative understandings of faith, identity, and belonging.
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